I just loved that Johnson took a long standing trope in Star Wars that all major characters are born of greatness, that their paths are preordained, and dashed it against the rocks. Rey finds out she's no one, really. And it makes Star Wars so much better because of that. She's no longer bound by destiny and forces beyond her power. She's beholden to no one or nothing. She can be whatever she wants to be. She's going to be important because of the choices SHE makes, not because of her destiny.El Guapo wrote: Tue Apr 11, 2023 1:29 pmIt's definitely true that Last Jedi took things that were hinted at in Force Awakens and took them in a different direction. Then Rise took what Last Jedi did and to an almost comical degree reversed them. It's why everyone can agree that the Sequel Trilogy (ST) is an incoherent mess, while disagreeing on which movie(s) in them are the real problem.hepcat wrote: Tue Apr 11, 2023 6:45 amLuke’s questioning of the force and its religious reverence, the destruction of the whole “chosen one” story that previous entries relied upon, to name two.Scuzz wrote: Mon Apr 10, 2023 9:00 pmWhat storyline in the second sequel do you consider “mature”. Space Leia? The gambling planet maybe? The “death” of Luke?
You’ve been fed a children’s version of knights and dragons so long that you’ve probably come to believe that’s all you want/need. But Johnson tried something different and some folks kicked back against it. It’s understandable, I guess.
For what it's worth while Last Jedi had some silly stuff in it (Space Mary Poppins being the most indefensible), it at least tried to take what the Force Awakens set up and make sense of it. Like, the whole map to Luke Skywalker thing didn't make any sense at all. So like I get why a lot of people didn't like Curmudgeon Luke, but that's the most logical explanation for why Luke went to a planet off of galactic charts and then cut himself off from everyone.
Then JJ gets pissed and brings back the chosen one crap again in the last movie.